{"id":27402,"date":"2013-09-06T06:06:54","date_gmt":"2013-09-06T04:06:54","guid":{"rendered":"https:\/\/fundatiadanvoiculescu.ro\/?p=27402"},"modified":"2026-05-06T12:09:15","modified_gmt":"2026-05-06T09:09:15","slug":"ghid-de-conduita-in-salile-de-spectacol","status":"publish","type":"post","link":"https:\/\/fundatiadanvoiculescu.ro\/en\/ghid-de-conduita-in-salile-de-spectacol\/","title":{"rendered":"Ghid de conduit\u0103 \u00een s\u0103lile de spectacol"},"content":{"rendered":"

Regulile de bun\u0103 conduit\u0103 \u00een s\u0103lile de spectacole \u015fi concerte ne ajut\u0103 s\u0103 evit\u0103m situa\u0163iile nepl\u0103cute, spun psihologul Aurora Liiceanu, profesorul Mihaela Nicola \u015fi scriitoarea Aurelia Marinescu.<\/span><\/p>\n

\"\"<\/a><\/p>\n

Telefoane care sun\u0103. Oameni care vorbesc unii cu al\u0163ii. Aplauze. Toate \u00een timpul sau \u00eentre p\u0103r\u0163ile unui concert. De\u015fi bunele maniere par a fi un subiect demodat \u015fi desprins dintr-o epoc\u0103 de mult apus\u0103, c\u00e2teva reguli de comportament sunt imperios necesare \u00eentr-o sal\u0103 \u00een care se desf\u0103\u015foar\u0103 un eveniment artistic. De c\u00e2te ori nu am auzit telefoane mobile sun\u00e2nd \u00een ne\u015ftire \u00een mijlocul unei reprezenta\u0163ii muzicale sau teatrale? O voce prietenoas\u0103 ne roag\u0103, printr-un mesaj \u00eenregistrat, s\u0103 \u00eenchidem telefoanele \u00eenainte de spectacol \u015fi, cu toate acestea, se g\u0103sesc mereu c\u00e2teva dispozitive care s\u0103 perturbe desf\u0103\u015furarea artistic\u0103 de pe scen\u0103. Actri\u0163a Oana Pellea s-a ar\u0103tat exasperat\u0103 c\u00e2nd, \u00een timpul unui spectacol sus\u0163inut \u00een luna aprilie, era pe punctul de a pleca acas\u0103 \u00een momentul \u00een care a auzit cel de-al treilea telefon sun\u00e2nd. Nu a f\u0103cut-o, totu\u015fi, din respect pentru colegul s\u0103u de pe scen\u0103 \u015fi pentru ceilal\u0163i spectatori, \u00eens\u0103 ar fi fost o form\u0103 de protest justificat\u0103 fa\u0163\u0103 de un gest care tr\u0103deaz\u0103 lipsa unei conduite potrivite la un spectacol sau concert.<\/p>\n

P\u0103strarea lini\u015ftii<\/strong><\/span><\/p>\n

\u00cenchiderea telefonului mobil, aceast\u0103 minim\u0103 dovad\u0103 de bun-sim\u0163, este semnalat\u0103 \u00een toate volumele dedicate bunelor maniere. Autoarea Mihaela Nicola ne \u00eenva\u0163\u0103 cum s\u0103 ne purt\u0103m \u201eCu m\u0103nu\u015fi\u201c, \u00een felurite situa\u0163ii, \u00een cartea sa cu acela\u015fi titlu. Mihaela Nicola puncteaz\u0103 necesitatea \u00eenchiderii telefonului mobil, pentru a \u00eempiedica poluarea fonic\u0103 at\u00e2t \u00een r\u00e2ndul arti\u015ftilor, care pot avea probleme de concentrare, c\u00e2t \u015fi a celorlal\u0163i spectatori. P\u0103strarea lini\u015ftii la spectacol este, de asemenea, un aspect important: \u201eLa spectacol salut\u0103m cuno\u015ftin\u0163ele cu o simpl\u0103 \u00eenclinare a capului \u015fi nu angaj\u0103m o conversa\u0163ie pe deasupra cre\u015ftetelor spectatorilor\u201c, specific\u0103 scriitoarea Aurelia Marinescu \u00een volumul \u201eCodul bunelor maniere ast\u0103zi\u201c, editat de Humanitas. \u00cen aceea\u015fi lucrare se arat\u0103 c\u0103 \u201eeste de neconceput s\u0103 m\u0103n\u00e2nci sau s\u0103 comentezi \u00een timpul spectacolului. La concert, nu vei urm\u0103ri ritmul muzicii d\u00e2nd din cap, din m\u00e2n\u0103 sau din picioare, \u015fi \u00een niciun caz nu vei fredona melodia \u00een timp ce o interpreteaz\u0103 orchestra\u201c.<\/span><\/p>\n

Cu p\u0103l\u0103rie sau nu?<\/strong><\/span><\/p>\n

Atunci c\u00e2nd mergem la spectacole, suntem sf\u0103tui\u0163i s\u0103 respect\u0103m caracterul festiv al evenimentului \u015fi s\u0103 ne \u00eembr\u0103c\u0103m elegant, puncteaz\u0103 Aurelia Marinescu, chiar \u015fi atunci c\u00e2nd ne ducem la un spectacol \u00eentr-o zi de lucru. \u201eOamenii de pe scen\u0103 ne vor fi recunosc\u0103tori \u015fi oricine cunoa\u015fte lumea lor \u015ftie c\u0103 atmosfera de s\u0103rb\u0103toare \u00eei inspir\u0103, \u00eei face s\u0103 se simt\u0103 mai \u00een largul lor \u015fi \u00eei stimuleaz\u0103 s\u0103 joace mai bine. \u0162inuta este cu at\u00e2t mai important\u0103 pentru cei care stau \u00een primele r\u00e2nduri sau \u00een loj\u0103\u201c, se spune \u00een \u201eCodul bunelor maniere ast\u0103zi\u201c. Psihologul Aurora Liiceanu aduce \u00een discu\u0163ie portul neadecvat al p\u0103l\u0103riei la spectacole. \u201ePentru a purta o p\u0103l\u0103rie trebuie s\u0103 ai cultura purtatului p\u0103l\u0103riei. Ast\u0103zi vedem \u00een s\u0103li p\u0103l\u0103rii foarte mari \u2013 s\u0103 fie v\u0103zute \u2013 f\u0103r\u0103 ca posesoarele s\u0103 se g\u00e2ndeasc\u0103 la cei din spate, care nu v\u0103d scena deloc\u201c, spune scriitoarea.<\/span><\/p>\n

Punctualitate<\/strong><\/span><\/p>\n

Recomandat este s\u0103 ajungem la timp la spectacol, \u00eens\u0103, dac\u0103 se \u00eent\u00e2mpl\u0103 s\u0103 \u00eent\u00e2rziem, este nepoliticos s\u0103 ne croim drum printre spectatori dup\u0103 ce a \u00eenceput spectacolul. A\u015ftept\u0103m sf\u00e2r\u015fitul actului sau al unei p\u0103r\u0163i simfonice \u015fi numai dup\u0103 aceea ne c\u0103ut\u0103m locul. \u00cen plus, atunci c\u00e2nd trecem printre r\u00e2ndurile de spectatori p\u00e2n\u0103 la locul nostru, ne scuz\u0103m pentru deranj \u015fi p\u0103\u015fim cu fa\u0163a la cei pe l\u00e2ng\u0103 care trecem. \u201eAi mai mult loc trec\u00e2nd cu fa\u0163a, deranjezi mai pu\u0163in \u015fi-apoi, \u00eei onorezi pe oameni cu partea ta mai frumoas\u0103\u201c, puncteaz\u0103 Mihaela Nicola. C\u00e2nd trebuie s\u0103 aplaud\u0103m la concert? \u00centr-o sal\u0103 de concert, aplauzele sunt bine-venite la intrarea dirijorului sau a solistului. Vom face o gaf\u0103 dac\u0103 vom aplauda la sf\u00e2r\u015fitul unei mi\u015fc\u0103ri simfonice. Simfonia are, de obicei, patru p\u0103r\u0163i, \u015fi se aplaud\u0103 numai la sf\u00e2r\u015fit, \u00een momentul \u00een care artistul se \u00eentoarce cu fa\u0163a spre public. Dac\u0103 avem de-a face cu un ciclu de lieduri, aplaud\u0103m numai la sf\u00e2r\u015fitul ultimului dintre ele. O alt\u0103 problem\u0103 frecvent\u0103 este aglomera\u0163ia de la intrarea oric\u0103rei institu\u0163ii unde se \u0163in spectacole. \u201eM\u0103 deranjeaz\u0103 \u00een continuare c\u0103 oamenii nu \u015ftiu s\u0103 urce pe partea st\u00e2ng\u0103 \u015fi, respectiv, s\u0103 coboare pe partea dreapt\u0103, astfel \u00eenc\u00e2t, cumva bizar, la noi e \u00eentotdeauna o aglomera\u0163ie nepl\u0103cut\u0103 la intrare\/ie\u015fire\u201c, spune Mihaela Nicola. \u201eIndiferent de situa\u0163ia social\u0103 \u2013 concert, spectacol de teatru, gal\u0103 cu premii etc. \u2013, cel mai frecvent obicei nepoliticos este \u00eenghesuiala de la intrare, care \u00eemi aminte\u015fte de cozile comuniste, c\u00e2nd unii oameni, cam mul\u0163i, se b\u0103gau \u00een fa\u0163\u0103, dep\u0103\u015findu-te agresiv\u201c, subliniaz\u0103 psihologul Aurora Liiceanu. Vremurile bune ale manierelor… De-a lungul deceniilor, spectacolele de la Ateneul Rom\u00e2n, care au debutat pe 15 decembrie 1868, s-au bucurat de multe critici pozitive din partea unor cronicari de seam\u0103 ca Grigore Ventura sau Constantin Cordoneanu, precum \u015fi de aprecieri umoristice privind regulile de comportament pentru \u201enovicii\u201c \u00eentr-ale concertelor.<\/span><\/p>\n

C\u00e2nd trebuie s\u0103 aplaud\u0103m la concert?<\/strong> <\/span><\/p>\n

\u00centr-o sal\u0103 de concert, aplauzele sunt bine-venite la intrarea dirijorului sau a solistului. Vom face o gaf\u0103 dac\u0103 vom aplauda la sf\u00e2r\u015fitul unei mi\u015fc\u0103ri simfonice. Simfonia are, de obicei, patru p\u0103r\u0163i, \u015fi se aplaud\u0103 numai la sf\u00e2r\u015fit, \u00een momentul \u00een care artistul se \u00eentoarce cu fa\u0163a spre public. Dac\u0103 avem de-a face cu un ciclu de lieduri, aplaud\u0103m numai la sf\u00e2r\u015fitul ultimului dintre ele.\u00a0 \u00a0 O alt\u0103 problem\u0103 frecvent\u0103 este aglomera\u0163ia de la intrarea oric\u0103rei institu\u0163ii unde se \u0163in spectacole. \u201eM\u0103 deranjeaz\u0103 \u00een continuare c\u0103 oamenii nu \u015ftiu s\u0103 urce pe partea st\u00e2ng\u0103 \u015fi, respectiv, s\u0103 coboare pe partea dreapt\u0103, astfel \u00eenc\u00e2t, cumva bizar, la noi e \u00eentotdeauna o aglomera\u0163ie nepl\u0103cut\u0103 la intrare\/ie\u015fire\u201c, spune Mihaela Nicola. \u201eIndiferent de situa\u0163ia social\u0103 \u2013 concert, spectacol de teatru, gal\u0103 cu premii etc. \u2013, cel mai frecvent obicei nepoliticos este \u00eenghesuiala de la intrare, care \u00eemi aminte\u015fte de cozile comuniste, c\u00e2nd unii oameni, cam mul\u0163i, se b\u0103gau \u00een fa\u0163\u0103, dep\u0103\u015findu-te agresiv\u201c, subliniaz\u0103 psihologul Aurora Liiceanu.\u00a0<\/span><\/p>\n

Vremurile bune ale manierelor…<\/strong><\/span><\/p>\n

De-a lungul deceniilor, spectacolele de la Ateneul Rom\u00e2n, care au debutat pe 15 decembrie 1868, s-au bucurat de multe critici pozitive din partea unor cronicari de seam\u0103 ca Grigore Ventura sau Constantin Cordoneanu, precum \u015fi de aprecieri umoristice privind regulile de comportament pentru \u201enovicii\u201c \u00eentr-ale concertelor.<\/span><\/p>\n

\u201e\u00cenainte de-a \u00eencepe, voi intra\u0163i,<\/em><\/span><\/p>\n

Locurile vi le ocupa\u0163i,<\/em><\/span><\/p>\n

\u015ei dac\u0103 voi \u00eent\u00e2rzia\u0163i,<\/em><\/span><\/p>\n

Publicul nu-l deranja\u0163i.<\/em><\/span><\/p>\n

\u00cen picioare asculta\u0163i<\/em><\/span><\/p>\n

P\u00e2n-la pauz\u0103, apoi la loc alerga\u0163i.<\/em><\/span><\/p>\n

Tactul cu piciorul nu-l da\u0163i,<\/em><\/span><\/p>\n

Vorba \u00een prag s-o l\u0103sa\u0163i<\/em><\/span><\/p>\n

Lini\u015ftea solemn s-o respecta\u0163i.<\/em><\/span><\/p>\n

La mijloc n-aplauda\u0163i<\/em><\/span><\/p>\n

La fine de vre\u0163i, din palme da\u0163i,<\/em><\/span><\/p>\n

Cu picioarele nu! c\u0103ci praful ridica\u0163i.<\/em><\/span><\/p>\n

Aceste porunci le propaga\u0163i!\u201c<\/em><\/span><\/p>\n

(Eugen Pricope, Dirijori \u015fi orchestre,Editura Muzical\u0103, Bucure\u015fti, 1971).<\/span><\/p>\n

S\u0103 ne purt\u0103m \u201ecu m\u0103nu\u015fi\u201c<\/strong><\/span><\/p>\n

Regulile generale de comportament, manifestate \u00een diverse situa\u0163ii de via\u0163\u0103, s-au \u201e\u00eempletit firesc \u00eentr-un volum care te \u00eendeamn\u0103 s\u0103 tratezi fiecare situa\u0163ie de via\u0163\u0103… \u00abcu m\u0103nu\u015fi\u00bb\u201c, spune Mihaela Nicola despre lucrarea sa, editat\u0103 \u00een anul 2009 de Humanitas. Iat\u0103 c\u00e2teva dintre normele de bun-sim\u0163 pe care ni le recomand\u0103 autoarea atunci c\u00e2nd mergem la un spectacol. S\u0103 ajungi \u015fi s\u0103 intri la timp \u00eentr-o sal\u0103 de spectacol este cerin\u0163a minimal\u0103 \u00een ceea ce prive\u015fte prezen\u0163a ta acolo.<\/span><\/p>\n

1. S\u0103 \u00eenchizi telefonul este o chestiune de bun-sim\u0163. Poluarea fonic\u0103 pe care o creeaz\u0103 perturb\u0103 concentrarea celorlal\u0163i, fie a celor de pe scen\u0103, fie a celor din sal\u0103. 2. S\u0103 stai p\u00e2n\u0103 la sf\u00e2r\u015fitul reprezenta\u0163iei este o form\u0103 de curtoazie pe care o datorezi nu numai celor care s-au str\u0103duit s\u0103 \u00ee\u0163i ofere un bun produs creativ, dar \u015fi celorlal\u0163i spectatori. La teatru, la oper\u0103 \u015fi la concert este de bun gust s\u0103 te ridici \u00een picioare pentru aplauzele de final, p\u00e2n\u0103 c\u00e2nd interpre\u0163ii ies de dou\u0103 ori s\u0103 fac\u0103 reveren\u0163e s\u0103lii. Din acest omagiu al publicului, arti\u015ftii \u00ee\u015fi extrag energia pentru urm\u0103toarele reprezenta\u0163ii.<\/span><\/p>\n

3. La teatru, la oper\u0103 \u015fi la concert nu se consum\u0103 bomboane, floricele sau sticksuri.<\/span><\/p>\n

4. C\u00e2nd p\u0103\u015fe\u015fti printre r\u00e2nduri de spectatori p\u00e2n\u0103 la locul t\u0103u scuz\u0103-te pentru deranj \u015fi p\u0103\u015fe\u015fte cu fa\u0163a la cei pe l\u00e2ng\u0103 care treci. (fragmente din volumul \u201eCu m\u0103nu\u015fi\u201c, de Mihaela Nicola, Editura Humanitas).<\/span><\/p>\n

Reguli de bun\u0103 purtare<\/strong><\/span><\/p>\n

Este politicos ca fiecare spectator s\u0103 consulte programul din bro\u015fura pe care \u015fi-a procurat-o. Este nepl\u0103cut s\u0103-l \u00eemprumu\u0163i pe al vecinului, dar \u015fi mai nepl\u0103cut este s\u0103-l cite\u015fti pe deasupra um\u0103rului s\u0103u. \u00cen s\u0103lile de concert, b\u0103rbatul va merge \u00eenainte pentru a o scuti pe partenera sa de contactul cu primele priviri curioase. Dac\u0103 este admis ca o femeie s\u0103 stea cu p\u0103l\u0103ria pe cap la restaurant, nu la fel se \u00eent\u00e2mpl\u0103 la concert, deoarece i-ar putea deranja pe cei din spate. Regula nu se aplic\u0103 atunci c\u00e2nd femeia are loc la loj\u0103. \u00cen cazul urc\u0103rii unor trepte, o veche regul\u0103 spune c\u0103 b\u0103rbatul preced\u0103 femeia cu jum\u0103tate de pas la urcare \u015fi o urmeaz\u0103 cu jum\u0103tate de pas la cobor\u00e2re. Pe r\u00e2ndul de scaune, b\u0103rbatul trece primul. Ar trebui s\u0103 se \u00een\u0163eleag\u0103 de la sine c\u0103 a r\u0103m\u00e2ne pe scaun \u00een acest caz este nepoliticos. Este total lipsit de delicate\u0163e s\u0103 p\u0103r\u0103sim sala \u00eenainte de sf\u00e2r\u015fitul spectacolului \u015fi s\u0103 ne preg\u0103tim de plecare \u00een timpul ultimei fraze melodice, pentru a c\u00e2\u015ftiga c\u00e2teva clipe \u00een plus la garderob\u0103.<\/span><\/p>\n

Ne \u00eembr\u0103c\u0103m bine sau r\u0103u?<\/strong><\/span><\/p>\n

Aurora Liiceanu poveste\u015fte o \u00eent\u00e2mplare la care a luat parte \u015fi care \u00eencalc\u0103 orice norm\u0103 de bun-sim\u0163. \u201eAm fost la o gal\u0103 la care oamenii au venit \u00een \u0163inut\u0103 special\u0103, de ocazie. Fiul actor, al unui prea logoreic actor cu priz\u0103 la public, a venit \u00eembr\u0103cat extrem de \u015fleamp\u0103t, ca la barbecue cu prietenii, legat la cap cu un batic de bumbac, colorat,ca pira\u0163ii \u015fi s-a a\u015fezat chiar l\u00e2ng\u0103 mine, tol\u0103nindu-se pe scaun, cu picioarele \u00eenc\u0103l\u0163ate sprijinite de spatele scaunului din fa\u0163a lui, vorbind tare cu cine venise, sfid\u00e2nd cu relaxarea lui pe cei din jur. Era ca la el acas\u0103 \u015fi savura cu pl\u0103cere uimirea celor din jur. Voia cu orice pre\u0163 s\u0103 ne arate ca el \u00ee\u0163i permite s\u0103 fie liber de conven\u0163ii. Adic\u0103 noi eram caraghio\u015fi, ni\u015fte conservatori, neliberi de etichet\u0103. Contrastul \u00eentre el \u015fi ceilal\u0163i oameni era prea mare. Ce ne comunica el? C\u0103 el e celebru, c\u0103 el face ce vrea. El e nonconformist. Dar, de fapt, nu era indiferent, ci foarte atent la cum sunt \u015foca\u0163i cei din jur. Succesul lui era exterior, ca la p\u0103unii care au ca strategie de self-promoting coada colorat\u0103, penajul atractiv cromatic. Culmea era c\u0103 exteriorul lui te trimitea la ideea unui interior jalnic\u201c.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

Regulile de bun\u0103 conduit\u0103 \u00een s\u0103lile de spectacole \u015fi concerte ne ajut\u0103 s\u0103 evit\u0103m situa\u0163iile nepl\u0103cute, spun psihologul Aurora Liiceanu, profesorul Mihaela Nicola \u015fi scriitoarea Aurelia Marinescu. Telefoane care sun\u0103. Oameni care vorbesc unii cu al\u0163ii. Aplauze. Toate \u00een timpul sau \u00eentre p\u0103r\u0163ile unui concert. De\u015fi bunele maniere par a fi un subiect demodat \u015fi […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1,518],"tags":[2428,300,1209],"class_list":["post-27402","post","type-post","status-publish","format-standard","hentry","category-diverse","category-utile","tag-bune-maniere","tag-spectacol","tag-spectacole"],"acf":[],"yoast_head":"\nGhid de conduit\u0103 \u00een s\u0103lile de spectacol - Fundatia Dan Voiculescu pentru Dezvoltarea Romaniei<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundatiadanvoiculescu.ro\/en\/ghid-de-conduita-in-salile-de-spectacol\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ghid de conduit\u0103 \u00een s\u0103lile de spectacol - Fundatia Dan Voiculescu pentru Dezvoltarea Romaniei\" \/>\n<meta property=\"og:description\" content=\"Regulile de bun\u0103 conduit\u0103 \u00een s\u0103lile de spectacole \u015fi concerte ne ajut\u0103 s\u0103 evit\u0103m situa\u0163iile nepl\u0103cute, spun psihologul Aurora Liiceanu, profesorul Mihaela Nicola \u015fi scriitoarea Aurelia Marinescu. Telefoane care sun\u0103. Oameni care vorbesc unii cu al\u0163ii. Aplauze. Toate \u00een timpul sau \u00eentre p\u0103r\u0163ile unui concert. 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